A well-trodden path in alien encounters, this week’s short is Genesis by Edy Recendez, filmed in Unreal Engine. From the very beginning the film is such fun, with great editing and sound design – right up to and including the ending ‘rap slash dance’ credits. Ricky, Phil and Damien also talk about the upcoming Diablo 4 release.
From AI to sci-fi to dystopian world stories, this week’s selection demonstrates creative tools and processes being used to realize these shorts.
Our first selection this week is a beautifully rendered morphing AI film called The High Seas, made using 60fps/4K by Drew Medina (released 9 Apr 2023) – one of the few we’ve seen so far. Embedding has been disabled, but please do follow the link here.
Constelar is by Oskar Alvardo (score by Lee Daish), released 4 Feb 2023. This has been made using Blender and an interesting approach to storytelling, with an almost 1970s noir feel to it –
The next film is a cinematic tribute to the makers of StarCraft, called Judgment Cinematic by Nakma, released 23 Mar 2023. The music (which we note is uncredited) adds much to the story telling but it also needs some understanding of the StarCraft world to fully appreciate the nuances in the plot which is vaguely Star Wars-ish. Nonetheless, a great effort, especially since it took just three months to make this machinima – there are some great shots and editing is well done –
The dystopian world of Valve’s Half Life, made using Source Filmmaker, has been used in our next two film selections. The first is called Combined and draws on the lore in the game. It is quite violent but does well to ‘humanise’ the characters. The animation looks surprisingly old-style, even if it is only 2021 – a reflection on just how quickly the cinematic aesthetic has changed in such a short period of time. In Perimeter (our feature image for this post), which also portrays the Combine, there is quite a different aesthetic finish to it. What’s interesting about this film is the inspiration it drew from: concept art by Vyacheslav Gluhov. Both these films are great examples of how a game inspires creators to take one aspect, in this case the Combine character in HL, and extend the narrative into new and interesting directions.
Made in the still developing game Star Citizen, this week’s film is a large-scale production showing 97 players creating a complex battle scene. The film is called Sandstorm by Wailander. In this episode of the podcast, Ricky, Phil and Damien discuss the extent to which machinima is about showing off the game vs telling a story, what the role of the director is in game-based machinima productions and, of course, take a deep dive into the history of machinima in the process. They also reflect on just how wealthy (with in-game currency) the creators of this work actually have to be!
This week, Ricky, Phil and Damien begin with an brief discussion of the roles AI is being used for to restore old machinimas, and in particular the very exciting upcoming release Phil will be doing of old Machiniplex films – more on that in due course!
The film discussion centres on After War by RG Studios and their approach to telling a story without moving a camera in the Half Life 2 world.
YouTube Version of this Episode
Show Notes & Links
Hitpaw video enhancer AI, subscription information here
Machiniplex, no longer exists as a platform/website, but the link on the archive is here for the moment!
This week’s film by RG Studios, released on 3 March 2023 –
Recently, we’ve seen some really great HL2 shorts, and this week we have an excellent one for you – Patient Zero is by TheParryGod aka Richard Makk, released in Feb. This is so well done you can cut the atmosphere with a butter knife, the choreography between the actors is brilliant and there are even some gratuitous small animal shots to boot. Hear us discuss the details and check out the film following the links below.
YouTube Version of this Episode
Show Notes & Links
Patient Zero – A Half Life Short, by TheParryGod aka Richard Makk, released 22 Feb 2023 –
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