Machinima Expo

S6 E237 Machinima News Omnibus (Aug 2026)

Tracy Harwood Podcast Episodes August 5, 2026 Leave a reply

This week, the discussion centres on several significant developments across the machinima community, from community news and preservation of machinima history to new creative tools and the future of filmmaking platforms. The strongest recurring theme is how classic machinima practices are re-emerging through contemporary game engines and software, suggesting a renewed interest in machinima as a creative medium.

The episode opens with a tribute to Mike Joyce, longtime collaborator of Kate Fosk and member of the Moviestorm-era machinima community. The hosts reflect on his generosity, his contribution to Machinima Expo productions, and the supportive nature of earlier online machinima communities.

We discuss a PC Gamer feature covering a GTA V filmmaker who is livestreaming their production process.

Halo Campaign Evolved and the Return of “Machinima Mode” – we examine Microsoft’s remake of the original Halo, noting the inclusion of an officially branded Machinima Mode. The conversation broadens into a discussion of machinima history. Tracy observes that the remake is more than nostalgia—it is introducing machinima to third- and fourth-generation creators, demonstrating how enduring the medium has become.

Ricky argues that Red vs. Blue legitimised machinima as entertainment, while Damien explains how watching the series inspired his own filmmaking career. The discussion concludes with an invitation for creators to use Halo creatively rather than simply reproducing Red vs. Blue.

Tiny Bookshop – a lighter discussion follows around the success of Tiny Bookshop.

State of Unreal 2026 – Phil highlights a technical demonstration from Unreal Engine featuring highly detailed urban environments. The conversation highlights how production values in virtual filmmaking continue to approach traditional film set design. Video here –

Reallusion AI Studio and Free iClone Personal Edition – we discusses Reallusion’s biggest software announcement. Tracy suggests that Reallusion may be moving toward an Unreal-style ecosystem, where the software becomes a gateway to a scalable marketplace rather than the primary revenue source. We agree that making professional animation software freely available could significantly expand the machinima community. Launch video here –

Phil introduces the free personal version of Massive, the crowd simulation software used in The Lord of the Rings. The segment ends humorously with Ricky imagining an absurd “massive household” comedy requiring crowd simulation simply to go shopping. Demo and links here –

The major themes across the Episode are summarized as –

  • Remembering and celebrating machinima pioneers.
  • Evidence that machinima continues to influence commercial game development.
  • Lowering technical barriers for new creators.
  • Free creative software and accessible production pipelines.
  • Preservation of machinima history while encouraging new generations.
  • The continuing importance of storytelling over technology.

Audio Only Version of this Episode



YouTube Version of this Episode

https://youtu.be/FJtClXl3yfI

S3 E94 Half Life 2: Shelf Life (September 2023)

Tracy Harwood Podcast Episodes September 13, 2023 Leave a reply

This week we discuss one of the best HL2 films from the 2009 era – Shelf Life by Pixel Eyes Productions. The film, which is in two episodes, won a heap of creator awards back in the day and has definitely stood the test of time for us. There are some fun sci-fi and weird tropes integrated into the story, which we discuss, as well as the very well done sound design and original music. We’d love to see these guys pick this project back up, although of course, none of the issues they faced back then will be a problem now – just a whole set of new ones to overcome!



YouTube Version of This Episode

Show Notes and Links

Films

Chapter 1 Shelf Life: You Are What You Remember, by Pixel Eyes Productions, released 6 July 2009

and Chapter 2 Shelf Life: After the Scan

Music video by Pixel Eyes to E V Kain’s Yes No Maybe, made in iClone –