Machinima

Tech Update 1 (Nov 2022)

Tracy Harwood Blog October 30, 2022 Leave a reply

Hot on the heels of our discussion on AI generators last week, we are interested to see tools already emerging that turn text prompts into 3D objects and also film content, alongside a tool for making music too. We have no less than five interesting updates to share here – plus a potentially very useful tool for rigging the character assets you create!

Another area of rapidly developing technological advancements is mo-cap, especially in the domain of markerless which lets face it is really the only way to think about creating naturalistic movement-based content. We share two interesting updates this week.

AI Generators

Nvidia has launched an AI tool that will generate 3D objects (see video). Called GET3D (which is derived from ‘Generate Explicit Textured 3D meshes’), the tool can generate characters and other 3D objects, as explained by Isha Salian on their blog (23 Sept). The code for the tool is currently available on Github, with instructions on how to use it here.

Google Research with researchers at the University of California, Berkeley are also working on similar tools (reported in Gigazine on 30 Sept). DreamFusion uses NeRF tech to create 3D models which can be exported into 3D renderers and modeling software. You can find the tool on Github here.

DreamFusion

Meta has developed a text-to-video generator, called Make-A-Video. The tool uses a single image or can fill in between two images to create some motion. The tool currently generates five second videos which are perfect for background shots in your film. Check out the details on their website here (and sign up to their updates too). Let us know how you get on with this one too!

Make-A-Video

Runway has released a Stable Diffusion-based tool that allows creators to switch out bits of images they do not like and replace them with things they do like (reported in 80.lv on 19 Oct), called Erase and Replace. There are some introductory videos available on Runway’s YouTube channel (see below for the Introduction to the tool).

And finally, also available on Github, is Mubert, a text-to-music generator. This tool uses a Deforum Stable Diffusion colab. Described as proprietary tech, its creator provides a custom license but says anything created with it cannot be released on DSPs as your own. It can be used for free with attribution to sync with images and videos, mentioning @mubertapp and hashtag #mubert, with an option to contact them directly if a commercial license is needed.

Character Rigging

Reallusion‘s Character Creator 4.1 has launched with built in AccurRIG tech – this turns any static model into an animation ready character and also comes with cross-platform support. No doubt very useful for those assets you might want to import from any AI generators you use!

Motion Capture Developments

That every-ready multi-tool, the digital equivalent of the Swiss army knife, has come to the rescue once again: the iPhone can now be used for full body mocap in Unreal Engine 5.1, as illustrated by Jae Solina, aka JSFilmz, in his video (below). Jae has used move.ai, which is rapidly becoming the gold standard in markerless mocap tech and for which you can find a growing number of demo vids showing how detailed movement can be captured on YouTube. You can find move.ai tutorials on Vimeo here and for more details about which versions of which smart phones you can use, go to their website here – its very impressive.

Another form of mocap is the detail of the image itself. Reality Capture has launched a tool that you can use to capture yourself (or anyone else or that matter, including your best doggo buddy) and use the resulting mesh to import into Unreal’s MetaHuman. Even more impressive is that Reality Capture is free, download details from here.

We’d love to hear how you get on with any of the tools we’ve covered this week – hit the ‘talk’ button on the menu bar up top and let us know.

S3 E50 Little White Poney Inn by Olibith (Oct 2022)

Tracy Harwood Podcast Episodes October 26, 2022 Leave a reply

This week Ricky goes all out Halloween for us.  His selection is an old-style machinima (think Chaplin or Keaton) by one of the most prolific Warcraft movie makers from back in the day… actually 2008 for this one.  The tale by Olibith has been made in World of Warcraft and has shades of Lovecraft, the grimmest of Grimms’ fairy tales and The Flintstones!  We also discuss a bonus Lovecraftian film for all you Halloween buffs, It Lives Within the Sea by Orange Squadron (dir. Dominic Edwards) made in RDR2.



YouTube Version of this Episode

Links and Notes

Little White Poney Inn by Olibith, rel 22 September 2008

Olibith’s Warcraft movies page with tutorials on how to make machinima (from 2010)

Have a look at Olibith’s other work (Vimeo channel here), such as Le Terroriste

After we had recorded this show, we went looking for Olibith on social media and were dismayed to find that he passed away earlier this year. We were all very saddened by this news and of course extend our deepest condolences to his family.  We dedicate this episode to his memory.

It Lives Within the Sea by Squadron Orange (Dir. Dominic Edwards), rel 28 Aug 2021

S3 E49 Film Review: ‘Most Precious Gift’ by Shangyu Wang (Oct 2022)

Tracy Harwood Podcast Episodes October 19, 2022 Leave a reply

This week, Damien has picked a very interesting Eastern-made alien tale. Its been beautifully shot and rendered using Omniverse, and inspired him to try some of the techniques shown. Ricky is a little more critical of the nostalgic trope. Tracy reflects on the journey of the storytelling, and the nature of what it is to be human that is the heart of the story. Phil brings Solaris into the discussion, as only Phil can. Overall, we reflect on the different styles of animation used and how influential they were. And, finally, how on earth did the producer achieve that tendril effect?!



YouTube Version of this Episode

Link to Film

Fests & Contests Update (Oct 2022)

Tracy Harwood Blog October 17, 2022 Leave a reply

Prazinburk Ridge

Its no surprise to hear that Martin Bell’s Prazinburk Ridge has won its first award, Best Animation – and very fitting that it should be at the North of England’s Wigan and Leigh Film Festival, not a stone’s throw away from Huddersfield, where the main character in the story hailed from. Many congratulations, Martin!

You can see us review the film also on our YouTube channel here –

UE: Creep it Real

Possibly a bit late notifying you but a nice little Unreal contest launched earlier this month – Unreal Challenge: Creep It Real! Here’s the link – deadline is 29 October. There are some great prizes for video content created with the assets you use which is LESS THAN 1 MINUTE, so late as we are posting this, there’s still no excuse for not participating! There were 450 entries to their Better Light Than Never contest, held earlier in the year, so we’re looking forward to seeing the sizzle reel from entries to this one in due course.

Unreal Challenge: Creep It Real

MacInnes Studios’ Dance Challenge

Another contest has launched, hosted by John MacInnes aka MacInnes Studios, and its hot on the heals of his Mood Scene contest, the results for which we look forward to seeing soon. The new contest is all about dance moves – check out the details here – start date is 1st October and it runs for 30 days.

MacInnes Studios Dance Challenge – Oct 2022

and if you want to hear John talk more about his use of avatars and ‘the future of digital humans’, here’s a great webinar you can catch up on too, hosted by Faceware (one of the Dance Challenge sponsors).

Open Calls

There are numerous experimental film festivals that are currently calling for entries – check them out on ExpCinema.org – we liked the look of Underneath the Floorboards!

S3 E48 Film Review: ‘The Eye: Calenthek’ by Aaron Sims (Oct 2022)

Tracy Harwood Podcast Episodes October 12, 2022 Leave a reply

In this episode, we review Tracy’s pick for the month: ‘The Eye: Calanthek’ by Aaron Sims, made in Unreal Engine 5 using Metahuman tech, as an early exemplar of the capabilities of the engine (released 2021).



YouTube Version of this Episode

Show Notes and Links

We discuss the eyes, the monster, the surprise and camera shots.

Time stamps

1:06 Tracy introduces ‘The Eye: Calanthek‘ by Aaron Sims, released 4 November 2021

5:56 What makes it so realistic? The eyes!

11:02 Things that break the storytelling

15:02 Does knowing the craft of filmmaking restrict creative approaches to filmmaking?

Links

Aaron Sims interview with Allan McKay, Ep 364, Filmmaking in Unreal and another with Ian Failes on Befores&Afters

Aaron Sims YouTube channel, with ‘behind the scenes’ reviews where you can leave questions for him to answer