Alien Archives - Completely Machinima

S4 E142 Half Life: OVERWORLD (Aug 2024)

Tracy Harwood Podcast Episodes August 14, 2024 Leave a reply

This week’s selection is a stunning cinematic imaginary by Unknown Dino, focussing on the next version of Half Life (soon to be released… er, well, possibly in the next 10 years or so?). There is a lot of craft in this film, called HL: Overworld and made in Blender, which has taken its inspiration both from the HL Reddit community and the HL2 Artbook ‘Raising The Bar’. We also talk about the positioning of the new world portrayed as being the next obvious logical step in the story arc for Half Life – HL1 being a portal through which aliens jump to Earth, HL2 being a kind of survival against the odds, Alyx being the prequel, and HL3 being the fight back taken to those hateful Combine… yeah, we wish!

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Show Notes & Links

E142 Half Life: OVERWORLD by Unknown Dino, released 27 May 2024 –

Half-Life 2 Raising The Bar, link to pdf of artbook (feature image)

S4 E102 mAIchinima: Nina & Prelude to Dust (Nov 2023)

Tracy Harwood Podcast Episodes November 9, 2023 Leave a reply

Not strictly machinima, but something we’ve named mAIchinima! This week, we discuss two films using generative AI to create narrative works. In both cases, the techniques employed emphasize the sound – music or voice acting – but whilst one is intentional, the other is not. We share our thoughts on these works and discuss some of the current limitations and benefits observed, which leads us into a timely discussion about style in filmmaking. We also discuss some recent developments in AI for creatives, such as the role of Glaze masking and Nightshade corrupting tools.

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Show Notes & Links

Our films this week –

Nina | Denvery Pluto | Episode 2 by Dean Corrigan, released 13 Sept 2023

Prelude to Dust by Dark Machine Audio, released 5 Sept 2023

The generative AI tools we mention in our preliminary discussion are Glaze and Nightshade, information about both can be found here. You can also find out more about Glaze and how it works here –

Ricky’s games mentioned: The Lies of P by From Software and Lords of the Fallen, available on Steam.

Recommended USB microphone reviewed by Ricky is by J Lab, called Talk, link here.

Artist mentioned is Lynd Ward and film style we discuss is Waltz With Bashir, trailer here –

and another artist is H R Giger, whose work on Alien encompasses a distinct style.

S3 E96 Unreal Engine: Backrooms medley (Sept 2023)

Tracy Harwood Podcast Episodes September 27, 2023 1 Comment

In this week’s episode, we discuss the phenomenal Backrooms meme that has emerged ever since @kanepixels original film (and the much awaited Netflix version was announced). We review three examples of the works being created, variously using levels of the rapidly evolving game: Chaos in the Hub by @BackroomsMerchant is probably the most close to the original horror vibe; Endless Escalators by @ReturnToRender is an example of great comedic timing; and Crab Rave – Backrooms Edition by @Madlykeanu is just pure fun, and an example of a meme upon a meme. As Phil suggests, however, has it gone too far, a la Poltergeist and Alien, and what does this astonishing level of response to the original film mean for the success of the Netflex release? We have mixed views and yet geniusly, somehow, Ricky manages to invoke Kafka into the discussion!

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Show Notes and Links

Film selection – Chaos in the Hub by Backrooms Merchant, released 1 August 2022 –

Endless Escalators, by Return to Render, released 24 October 2022 –

Crab Rave – Backrooms Edition by Madkeanu, released 2 June 2022 –

and here’s the meme this was based on too, Crab Rave by Noisestorm, 2015 –

And, our original review of The Backrooms, released on the channel in Feb –

Projects Update 1 (June 2023)

Tracy Harwood Blog June 19, 2023 Leave a reply

Not machinima but some great projects to share with you this week.

This has to be SFX rather than cinematic… right? From what I can ascertain, this new game release trailer/taster, called Off the Grid by none other than the infamous Neil Blomkamp (District 9 director), was captured with Technoprops and edited with Dynamixyz Performer –

The short is called SWITCHER, and was released on 3 May. The game will apparently be launched later in 2023 so we can check out the stunning cinematics in more detail then, and hopefully see more shorts from this world in due course.

Our next film this week is a stop-mo Samurai spectacular. Its called Hidari, being based on the work of wooden sculpture Jingoro Hidari. It is presented in the style of a ‘Japanimation’ and is promoted as a pilot for a long-form feature film although its unclear whether or when the release will happen. Its creators are attempting to devise new visual effects that make use of the wooden materials to show texture and joints and, for example, to use sawdust gushing out instead of blood when the characters are being attacked. Here’s the short, released on 8 March –

From one horror to another, this creator has re-imagined Alien as a Pixar movie using Midjourney, ElevenLabs and ChatGPT tools – yep, you read that correctly! The short is by Yellow Medusa and was released on 27 March. Its not animation, but is an interesting visualization nonetheless – maybe all horror movies should be transformed in this way, for those with a more sensitive pallet? Here’s the link –

Finally this week, Tenacious D’s hilarious music vid about video games, is a must watch and which has apparently been so already by more than 18M viewers. Its called Tenacious D – Video Games (our feature image for this post) and was a collaboration with Oney Play, released on 11 May. Enjoy –

Completely Machinima Interview: Rene Jacob aka direx1974

Tracy Harwood Podcast Episodes April 21, 2022 Leave a reply

In this episode of the Completely Machinima podcast, Ricky interviews filmmaker Rene Jacob, aka direx1974, about his fan machinima film Alien: The Message – a film we reviewed in the April 2022 Films Episode of the podcast. Through this film, Rene explains how he achieved his childhood goal of creating an homage to the Alien world and franchise – and the years of work that went into it. He discusses his use of iClone 7 to create the effects he wanted and also his development of the soundscape for the movie.

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