This week, we review a machinima that has taken its inspiration and cue from the original movie Forbidden Planet, released in 1956. This is the animated and stylized sequel we’ve all been waiting for, set immediately after the events reported in the film. It has been written and directed by Biggs Trek, aka Philip Browne, whose creative talent shines through in this.
YouTube Version of This Episode
Show Notes & Links
Forbidden Planet – Children of The Krell (Chapter One) by Biggs Trek aka Philip Browne, released 23 August 2024 –
This month, we have another packed episode, iClone 8 update, Balder’s Gate 3 modding tools, Starfield expansion, projects, projects, projects, Sketchfab, Backrooms, YouTube AI disclosure and more. Check out the ep and be sure to comment too.
In this ep, we reflect on the key trends in #machinima we’ve observed during Season 4 of the Completely Machinima podcast. We’d love to hear your thoughts on the year too, so do add comments below.
During the past year, we have reviewed over 22 hours of content, and presented detailed analysis of over 50 films on this channel. As vets of the original community practices (that’s pre YouTube and the M.com/Inc days), one of the great pleasures we take in this podcast is that we get to look at machinima and virtual production across the breadth of genres and engines, by creators from anywhere in the world, and reflect on where its come from, how its evolved and is developing.
This year, we have seen amazing quality films made in popular games such as Half-Life, World of Warcraft, Elden Ring, Star Citizen, Warhammer 40K and Team Fortress 2; have had the pleasure of exploring work made in entirely new games, like BeamNG and Deep Rock Galactic; and others made using engines in their base form such as Unreal, iClone and Source. We’ve also started to see #genAIs become integrated into processes and works. What a year for creatives and creativity!
Our main observation is that we have noted a resurgence of interest in machinima as a terms for the creative form, and we feel creators are at long last focussing on creative practices rather than their channel return. Of course its great when these things collide but it was never what machinima was about originally: it was the passion for great storytelling, using novel processes to achieve a desired outcome and to share that with a community of equally passionate others. Other observations are why we are not seeing as many traditional short stories as we used to…
We hope you enjoy this ep as much as we have making it.
YouTube Version of This Episode
Show Notes & Links
Key trends observed –
The highest quality of machinima we’ve ever seen
Unreal, by comparison, doesn’t actually really compare!
Experimentation
Meme’s
Distribution channels
Generative AIs
Our reviews, mentioned during discussion in order –
This week is our monthly news ep. We discuss various developments in the machinima and virtual production community. Tracy mentions the Reallusions 2024 3D Character Contest, highlighting Stefan Dufour’s entry. Phil and Tracy discuss the potential of AI in character creation. Damien reports on Activision shutting down a Call of Duty mod and the impact of AI on modding. We also cover the Dragon Age: The Veil Guard game, the Secret Level series on Amazon Prime, and the new game inZOI. Phil introduces Daz AI Studio, a generative AI platform for DAZ Studio, and reflects on the impact of AI on the music industry, sharing the story of composer Sasha transitioning to AI-generated music.
YouTube Version of This Episode
Show Notes & Links
Reallusion’s 3D Character Creator Contest entries link here.
Skibidi Toilet being made into a Michael Bay movie? Reported in Eurogamer here.
Sandbox game launched –
Celebrating Team Fortress 2 creators – check this out, by MrEditsMan –
Activision shuts down CoD mod, as reported in GamesRadar here.
Dragon Age: The Veilguard trailer (feature image for this post), here –
This month’s news omnibus covers our usual breadth of topics – from Reallusion’s Character Creator contest; to a ‘how to create in SL’, available only in SL; to Project Odyssey’s contest for genAIers; to the winners of the second AIFF; to some fabulous projects such as @EpicSpaceman latest film, an Elden Ring band, Jennifer McKnew’s Sydney and Socket project, and one dedicated to sharing with us the ‘speed of animals’; to the fallout from the Prince Charles Cinema debate about showcasing an genAI film; launch of the Starfield Creation Kit; Homefield 3; and a must have tool for creating great quality 3D backbounds called Distopica. Its a must watch for anyone working in #machinima!
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