Second Life

S4 E124 Machinima News Omnibus (Apr 2024)

Tracy Harwood Podcast Episodes April 10, 2024 Leave a reply

A packed review this month, with some sad 🙁 better 😐 and happy news 🙂



YouTube Version of this Episode

Show Notes and Links

Endings

The long-anticipated demise of Rooster Teeth and has been announced – as has the much anticipated final season of Red Vs Blue in this trailer –

If you are a die hard RTer, here’s a link to the Rooster Teeth team response to Warner’s announcement, its ‘Not a Final Goodbye’ –

Tracy and Ben’s Pioneers in Machinima book chapter is here too, Chapter 4: Rooster Teeth Bites.

Here’s the link to the 2007 Special Ep, Going Global, released at the First European Machinima Festival in 2007 (in Leicester, UK) –

Articles, Variety, Deadline and IGN.

Another ending, Draxtor Dupres’ Second Life series supported by Linden Labs, Drax Files: World Makers. Here’s his final report and here’s a link to a livestream he did to celebrate the achievements of the show –

Accolades

Sam Crane’s Hamlet in GTA5 won a Jury prize for best documentary at SXSW 2024, link to news coverage here, and the distribution deal awarded here.

Electro League and Weta’s War is Over has become the first UE5 film to win an Oscar, Best Animated Short –

Aye AI AI…

YouTube has updated its T&Cs, a nice article here

ConvAI has announced a partnership with Unity for NPCs, and also teamed up with Second Life. Here’s a link to Wagner James Au’s New World Notes blog – and here’s a couple of useful links –

Stability AI has introduced a 3D video generator, information here

RunwayML has partnered with Musixmatch to generate video to lyrics, link to information here

and it has also announced a new lipsync feature for generative audio, currently on early access to its creators programme members

Hume has a demo of a voice-to-voice generator, described as an Empathic Voice Interface – link to sign-up for early access here

and if you need a little overview of how all things generative AI are developing, here’s a nice video summary by Henrik Kniberg

Inspiration

To celebrate the phenomenal success of Gozilla Minus One at the 2024 Oscars, Nelson Escobar, the VFX creator of the Godzilla model, has released it as a free download for Blender. Link here –

Blockbuster Inc has announced its release date: 6 June 2024. Here’s the official gameplay trailer –

and here’s the link to Prologue on Steam

Finally, here’s the link to the interview with Denis Villeneuve, discussing his approach to making the latest Dune films –

Post Script

We are super excited to see our Podcast make the Top 3 listing of indie filmmaking podcasts on Goodpods in March 2024 – how cool is that?!

S4 E123 Fluxus: The Dog Days (Apr 2024)

Tracy Harwood Podcast Episodes April 3, 2024 Leave a reply

The Dog Days is an unusual machinima that combines the glitchiness of AI generated content composited with a Second Life avatar. Whilst not realtime, the performative aspect of this work is evident and we reflect on the fit of the current state of generative AI with the Fluxus art movement. We discuss what The Dog Days means, metaphorically and literally, and how we interpret this film concluding it is not a happy outcome for the focal character. The Dog Days evokes memories of a long-ago childhood spent with a much loved pet but the non-sense words and images are of something far more sinister, contextualized by the current general media coverage of wars in Eastern Europe, Middle East and elsewhere. We also discuss our interpretations of the fragility represented in the avatar, including the role of generative AI in becoming cyborg.



YouTube Version of this Episode

Show Notes and Links

The Dog Days by Fau Ferdinand and Elle Thorkveld, released 17 Feb 2024

Fau Ferdinand’s channel is here – https://vimeo.com/fauferdinand

Second Front arts movement here

Fau Ferdinand on Roles 4 Women here

About the Fluxus art movement here

S4 E121 Cosmic: Flowers of Evil (Mar 2024)

Tracy Harwood Podcast Episodes March 21, 2024 Leave a reply

This week, we take a look at a spectacular particle show in a machinima that has been documented and edited by Tutsy NaVaRaThNA in Second Life. The show is called Flowers of Evil and was created by Lalie Sorbet and Chrix as an interactive installation inspired by the most scandalous literary works of Charles Baudelaire, with the support of a Second Life Endowment for the Arts. Tutsy’s documentary is accompanied by an hypnotic composition by French club DJ and musician Sahale (from his Bouddha Bar XXI album), music that takes its inspiration also from the Flowers of Evil (or Fleurs du Mal). All round, this is a mesmerizing rendition that we could well imagine being enhanced with VR as a live experience… and that’s not something you hear us state all that often.



YouTube Version of This Episode

Show Notes and Links

Flowers of Evil by Tutsy NaVaRaThNA, released on 29 Jan 2024 –

Full recording of the show by Lalie Sorbet and Chrix here –

Fleurs du Mal Second Life map reference – https://maps.secondlife.com/secondlife/SLEA6/90/143/1001

Project Gutenburg ebook, open access https://www.gutenberg.org/files/36098/36098-h/36098-h.htm, originally released on 13 May 2011

A website dedicated to Baudelaire’s Fleurs du mal https://fleursdumal.org/ which includes links to the various editions, the first of which do not include the censored works – those you can find the 1866 Les Epaves (the scraps)

More about ‘happenings’ here

Projects Update 2 (August 2023)

Tracy Harwood Blog August 28, 2023 Leave a reply

What do AI, 48 hours and Second Life have in common? Not a lot, beyond some stunningly creative pieces that we found for you this week!

AI films are now beginning to come through and we have two very interesting ones for you to take a look at. The first is created/prompted by Matt Mayle (our feature image for this post) and has been made using Elevenlabs (voice), Runwayml’s GEN2 (animation) and ChatGPT4 (text concept) and is described an ‘AI assisted short’, called The Mass (released 26 April) –

The second is called The Frost, by Waymark Creative Labs (released 5 June). This has a distinct aesthetic to it, encapsulates a curious message, and overall reflects the state of AI animation at this stage, but its nonetheless a gripping piece. Its been created with DALLE-2 and D-ID –

Our next pick was made in 48 hours (well, with a bit of tweaking on top) and has been made in Unreal Engine, called Dude Where’s My Ship by Megasteakman. To be frank, the speed of its creation does show in the final quality of film, but its nonetheless an interesting development, especially given that I was a regular judge on the 48 Hour Filmmaking Contest a few years ago. The machinima version of that contest was managed and supported by Chantal Harvey for several years and its astonishing to think that this is the next generation of that process –

Finally, this week, a film made in Second Life, which lends itself to flash production, based on content from a plethera of creators on whom its content relies. The film is called The Doll Maker (released 27 May) and has been made by FeorieFrimon using various models and Paragon Dance Animations movements to a Beats Antique music composition called Flip –

Projects Update – Not [ALL] Machinima (July 2023)

Tracy Harwood Blog July 24, 2023 Leave a reply

Our review of inspirational projects often includes work which is NOT machinima, and this week we have picked out a couple that we’re sure our followers will enjoy too… of course, interspersed with examples of great machinima projects. Not least, this includes the podcast’s Damien’s (aka Darth Angelus) Star Wars fan series, a stalwart of the Second Life machinima creator community, Tutsy NAvArAthnA, whom Tracy interviewed a couple of years back here, and the only stereoscopic machinima we’ve actually seen!

The Classics: from Star Trek to Star Wars

Firstly, a parody of the original Star Trek series, this is the latest episode of Mark Largent’s long-running Stalled Trek project. The ep is called The City of the Edge of Foreclosure (released on YT on 25 April). It is based on Harlan Ellison’s epic episode called The City on the Edge of Forever, which originally aired in 1969 should you want to look it up on IMdB. As Largent says in those importal words ‘You cannot have your fate, and Edith too’!

Damien’s Star Wars series, Heir to the Empire, is featured on SFW Magazine’s website here. The article explains Damien’s process for animating the original novel by Timothy Zahn. You can watch the whole series on his channel, or the latest episode here –

and plus, given the recent pap interest in Damien, we can confirm that he is NOT married, or at least, he’s never declared that status to us!

Stop Mo

This is a great fun short stop-mo by Winga (released 4 May). Yes its an ad for an AI-using mobile phone image tracking stabilizer called Insta360, but definitely worth a view. The back end of the vid is an explainer of the kit and how Winga shot the film, also worth a view –

The REAL Metaverse

In this short, Mon Metaverse (released 16 Jan 2022), well-known Second Life creator and documentarian Tutsy NAvArAthna, discusses his observations on the metaverse, the promise of Second Life and the sinister ways in which some are turning the ‘digital screw’ by orchestrating our online experiences. The film features the creative work on dozens of creators (see the film credits for details). There’s an advisory warning with this but, then again, that’s the point being made (its also our featured image for this post). With Second Life having recently celebrated its 20th year, its timely to share the work too –

Double Vision?

I knew if we waited awhile someone would share a stereoscopic machinima with us… if you recall, Tracy highlighted there were very few (if any) that had been made, a point arising from the panel discussion at the Oberhausen International Film Festival earlier this year (reported here). Well, here you go. This short has been made by the uber-talented Second Life creator Ataro Asbrink. It is called Mandala Moods 3D and is a hypnotising example of what’s possible. You will need anaglyph glasses to appreciate it of course –