NFTs

Tech Update 2 (Jan 2023)

Tracy Harwood Blog January 16, 2023 Leave a reply

This week, we highlight some character development tools, NeRFs, NFTs and environments for machinima and virtual production.

Characters

Beginning with the awe-inspiring toolset of Unreal Engine’s MetaHumans, the organization has released a FREE three-hours long online course for beginners on real-time animating with Faceware Analyzer and Retargeter tools. Here’s a taster of what you can expect –

A creator we’ve featured a number of times (his tutorials are awesome), JSFILMZ (our feature image) has posted a taster of MetaHuman’s Live Drive from Facegood, which launched in December. The demo shows straight from camera to Unreal but what’s amazing is the price for the head-mounted hardware of <$500! This obviously isn’t free but its good value compared to some of the other facial tracking hardware on the market, and Jae compares those to give you an overview of what you get for the money. The Facegood software itself, Avatary, is free though, which produces some impressive animations. Check out Jae’s introductory overview below, and then pick up his tutorials on each of the components he discusses on his channel –

Move.ai has launched its iPhone beta application for free markerless mocap (requires two phones). Ultimately, this isn’t going to be free to use so make the most of the beta sign-up opportunity – the official launch takes place in March 2023 and their main target in the first instance is professional studios, which will put this out of reach for many indies. This article gives you a quick overview (by 80.lv), and this short video explainer introduces their store –

And finally, on characters this month, we highlight Inworld AI. This organization is creating interactive conversational characters that can be exported and shared across various platforms, either as avatars or the underlying chatbot (think smart NPCs). Some of you may recall John Gaeta mentioned this in our interview with him last year, and since then, Inworld has become part of the Walt Disney Company’s Accelerator Programme, been awarded an Epic MegaGrant and raised a pot of money from investors. The application of the software is vast – everything from games to marketing, as well as machinima and virtual productions too… and that’s because of how the characters can be moulded. Inworld states: ‘When crafting your character’s brain, you are able to use the Studio to tailor many elements of cognition and behavior, such as goals and motivations, manners of speech, memories and knowledge, and voice‘. Inworld released a nice tutorial in December, link below. Its definitely one to try out –

NeRFing Around

We found a nice short on Neural Radiance Fields (aka NeRFs) by Corridor Crew, using the Luma AI app, which is truly stunning for recreating realistic anything. They highlight some of the key challenges, and present a very interesting test with a chrome ball – surely it is never going to possible to create this kind of object with dynamic reflections and all…? Check it out here –

As Corridor Crew states, this is clearly one of the next big tech things in image capture for CGI.

NFTs

The fluid waters of NFTs continues to muddy. This article (by NFT Now) highlights some of the recent class action law suits being brought against creator platforms, suggesting that the markets are being artificially inflated by celebrity endorsers, although this is surely true for so many other products too? Its more an argument about the nature of the endorsement process and the stake in the investment that the endorser has that’s the issue here seemingly. One of the main challenges here is the fundemantal role of community in NFTs, which is always going to mean there is a very fine line on ‘insider trading’. Its also interesting to note that IP owners are now becoming more actively involved in this nascent space. Once again, whenever the legals get involved, everyday creatives are the losers, so whilst some of the actions highlighted are less directly relevant, the outcomes of the legal disputes ultimately will be, so we’ll keep tracking this.

Environments

Finally, we want to highlight a couple of environments for you.

Firstly, Half Life Alyx has a new mod, courtesy of Corey Laddo! Corey has created a mod that allows you to view the game in the role of Alyx Vance. Its designed to be a free of charge for owners of the game, and provides a 4-5 hour experience for ‘average players’. Great if you want to shoot content from a first person perspective. You can support Corey on his Patreon account, should you want to give him something for his effort. Download the mod from Steam here. Meantime, here’s a taster for you –

Secondly, Damien shared a new sandbox environment that will be launching soon (well, we think it will since its apparently been in dev since 2012), called Outerra World by Microprose. This looks amazing, and will allow you create any kind of realistic 1:1 scale terrain simulation, which you can share and navigate using any asset that the community creates and shares too. Here’s the link to the Steam page (to add your details to the waitlist).

If you have comments or thoughts on any of the techs this week, do go ahead and comment.

Tech Update 2 (Nov 2022)

Tracy Harwood Blog November 7, 2022 Leave a reply

This week, we take a look at some potentially useful tech platforms, starting with an inspired new service from Nvidia, then a new service and mod hub for The Sims 4, followed by some interesting distribution options linked to blockchain tech and another for festivals and events.

Cloud Services for Artists

With the ongoing challenges of access to kit for using many of the new render tools we’ve reviewed on the show over the months we’ve been running, its interesting to see that Nvidia are now launching Omniverse Cloud services. Ostensibly, the service is aimed at powering future ‘metaverse’ applications and those working on digital twin-type projects, but clearly its a very good way for content creators to finally be able to access contemporary tools without the hassles of continually updating their hardware to do it – or indeed ever worrying about acquiring the latest desirable RTX card! You can find out more about the services here – and we’d love to hear from anyone using the services about their experiences with the services.

Nvidia Omniverse Cloud Nucleus

Anyone for Sims?

The Sims 4 is now FREE to use (announced 18 Oct 2022), although we note that specific content packs will still be paid only accessible. No doubt Phil will be peeved since we all advised him to go for Unreal as a creative option when he switched his attention from RDR2 last year! Their glitzy Summit vid is clearly pitching itself against the Fortnite user, but with an entirely different heritage and more adult trajectory. They are even partnering with a new content creator curation platform, a mod hub hosted by Overwolf (coming soon).

Distribution Options

With rapid progression towards Web3, and the growing demand for 3D content that will fill the platforms and sites people create, Josephyine If has usefully created a spreadsheet that you can access here. The XLS file lists platforms and their creators including website addresses for film and video content can be shared (at the time of writing, some 18 different platforms such as Hyphenova, MContent – see video below – and Eluv.io). The main point of the platforms, at least at this stage, is to manage IP of content, so the emphasis is on how to share blockchain-marked film. Its probably one of the most interesting aspects and benefits that Web3 has for content creators, the ability to sell, track and manage content over time. This is something that’s been a major flaw of the YouTube platform process over the years since it evolved into an ad revenue driven distribution model. If you find any of the platforms particularly useful (or not), or others not mentioned on the list, do drop us a line and let us know.

We also found a potentially interesting distribution platform for festivals and events primarily, called VisualContainerTV. The platform launched in 2009 makes content available for free and therefore competes directly with the likes of YouTube (which frankly it can’t easily do) but more importantly, it can make content accessible behind a paywall. This means artists, creators and curators can receive payment for ticketed content shown over the platform via the internet and also have that branded and associated with particular curated events. At this stage of its development, it appears to be primarily targeting college students and courses based in Europe (the platform has been developed in Italy) but it is certainly something that looks interesting for small scale user groups. There are some very interesting arts projects on the site, so if nothing else, add it to your streaming platforms folder to check out periodically for interesting new works coming out.

VisualContainerTV

Completely Machinima S2 Ep 30 News & Discussion (February 2022)

Tracy Harwood Podcast Episodes February 3, 2022 Leave a reply

In this episode, Tracy, Ricky, Phil and Damien cover the relevance of Nvidia’s special address at CES for machinima creators, Adobe’s Project Shasta, Kerbal Space Programme, the uptake in VR kit over the Christmas period, growth in machinima, NFTs, Philip Rosedale’s return to the Second Life fold, the nail in RoosterTeeth’s RVB saga, Minecraft’s and Rockstar’s astonishing achievements, Ben Grussi’s history episodes and discuss two great questions posed by our followers: what’s the difference between machinima and animation and what’s the advice for adapting prose to visual media formats.



YouTube version of podcast

Show Links

1:10 Nvidia’s special address at CES, points relevant for machinima creators eg., Omniverse, AI

12:55 RDR2 images in the news!

13:40 Austin Film Festival

14:24 Adobe Project Shasta for audio recording

14:56 Kerbal Space Programme 2 impending launch

Kerbal Space Programme 2 screencap

16:25 Machinima growth observations

17:28 VR growth observations

19:46 NFTs observations – Peter Molyneux and John Gaeta

23:57 Philip Rosedale and the future of Second Life for creators

40:30 Halo Xbox 360 multiplayer servers close – the end of the story for Rooster Teeth’s RVB series?

42:50 Ben Grussi’s history of machinima episodes of the Completely Machinima podcast

44:34 Matthew Loris/Zeke: what are the differences between machinima and animation discussion; Completely Machinima interview with Mr Anymation, Tom Jantol

1:00:48 Rockstar’s lawsuit against a modding group

1:02:21 Minecraft’s astonishing video reach

1:03:43 Pandora’s 3d Films: adapting prose to visual media formats preliminary comments