iClone

Projects Update – Not [ALL] Machinima (July 2023)

Tracy Harwood Blog July 24, 2023 Leave a reply

Our review of inspirational projects often includes work which is NOT machinima, and this week we have picked out a couple that we’re sure our followers will enjoy too… of course, interspersed with examples of great machinima projects. Not least, this includes the podcast’s Damien’s (aka Darth Angelus) Star Wars fan series, a stalwart of the Second Life machinima creator community, Tutsy NAvArAthnA, whom Tracy interviewed a couple of years back here, and the only stereoscopic machinima we’ve actually seen!

The Classics: from Star Trek to Star Wars

Firstly, a parody of the original Star Trek series, this is the latest episode of Mark Largent’s long-running Stalled Trek project. The ep is called The City of the Edge of Foreclosure (released on YT on 25 April). It is based on Harlan Ellison’s epic episode called The City on the Edge of Forever, which originally aired in 1969 should you want to look it up on IMdB. As Largent says in those importal words ‘You cannot have your fate, and Edith too’!

Damien’s Star Wars series, Heir to the Empire, is featured on SFW Magazine’s website here. The article explains Damien’s process for animating the original novel by Timothy Zahn. You can watch the whole series on his channel, or the latest episode here –

and plus, given the recent pap interest in Damien, we can confirm that he is NOT married, or at least, he’s never declared that status to us!

Stop Mo

This is a great fun short stop-mo by Winga (released 4 May). Yes its an ad for an AI-using mobile phone image tracking stabilizer called Insta360, but definitely worth a view. The back end of the vid is an explainer of the kit and how Winga shot the film, also worth a view –

The REAL Metaverse

In this short, Mon Metaverse (released 16 Jan 2022), well-known Second Life creator and documentarian Tutsy NAvArAthna, discusses his observations on the metaverse, the promise of Second Life and the sinister ways in which some are turning the ‘digital screw’ by orchestrating our online experiences. The film features the creative work on dozens of creators (see the film credits for details). There’s an advisory warning with this but, then again, that’s the point being made (its also our featured image for this post). With Second Life having recently celebrated its 20th year, its timely to share the work too –

Double Vision?

I knew if we waited awhile someone would share a stereoscopic machinima with us… if you recall, Tracy highlighted there were very few (if any) that had been made, a point arising from the panel discussion at the Oberhausen International Film Festival earlier this year (reported here). Well, here you go. This short has been made by the uber-talented Second Life creator Ataro Asbrink. It is called Mandala Moods 3D and is a hypnotising example of what’s possible. You will need anaglyph glasses to appreciate it of course –

S3 E80 Oberhausen ISFF Discussion (June 2023)

Tracy Harwood Podcast Episodes June 7, 2023 Leave a reply

Following on from Tracy’s visit to the Oberhausen International Short Film Festival, which took place between 26 April and 1 May, Ricky leads a discussion with Tracy on the thoughts about film selection at the event, different distribution strategies, topics discussed at the panel, and the future of avant-garde machinima films and filmmaking for festivals generally.



YouTube Version of this Episode

Show Notes and Links

Tracy’s CM blog post on her visit to the Oberhausen International Short Film Festival

Moviestorm 3D/stereoscopic render feature guidelines

iClone 3D/stereoscopic render feature guidelines

Hypatia Pickens aka Sarah Higley CM episode, poetry in machinima!

Tracy’s paper on a manifesto for machinima, published in Journal of Visual Culture (2011) – a preprint free download on ResearchGate can be found here

You can also follow this episode with Tracy’s interview with Vladimir Nadein and Dmitry Frolov, curators of the Oberhausen International Short Film Festival, on our channel here –

You can also follow this episode with Tracy’s interview with Vladimir Nadein and Dmitry Frolov, curators of the Oberhausen International Short Film Festival, on our channel here

S3 E74 Film Reviews: iClone Short & Machinima Final (Apr 2023)

Tracy Harwood Podcast Episodes April 22, 2023 Leave a reply

This week’s film selection comprises 2 shorts, both untitled but actually worlds apart in their development. Its not often we get to comment on a first ever machinima project as the framing for a creative idea but our first film is just that, by Sydney Walker and made in an environment we have never seen used for machinima before, Final Fantasy 14. Our second film is a psychological thriller, drawing us in from a the whole world of familiar cinematic language in a way that we struggled with in the Astartes Project. BUT, the title needs work because “iClone shorts” just doesn’t cut it for us… over to Just Art Animation Studios!



YouTube Version of this Episode

Show Notes & Links

MachinimaFinal by Sydney Walker, released 10 Feb 2023 –

iClone Short by Just Art Animation, released 25 Feb 2023 –

and BennyDee/Benjamin Dazhi YouTube channel here –

S3 E71 Film Review: Heroes of Bronze: The Memory (March 2023)

Tracy Harwood Podcast Episodes March 30, 2023 Leave a reply

After we first talked about this project last April 2022, we were thrilled to see what a stunning job @MartinKlekner has made in the 21 Jan 2023 release of the first episode of Heroes of Bronze. We were not disappointed: the film and work stands up to AAA Assassin’s Creed Odyssey studio work, but with amazing detail of historical artefacts and storytelling, which is even evident in the way clothes move on characters. Damien couldn’t put our views better when he says this work inspires him to want to do better with iClone. We’re definitely looking forward to the next release – bring it on! 



YouTube Version of this Episode

Show Notes and Links

Heroes of Bronze: The Memory by Martin Klekner, released 21 January 2023 –

Martin Klekner’s project website here

Our April 2022 ep, discussing the film at 34:20 https://completelymachinima.com/2022/04/14/completely-machinima-s2-ep-35-films-discussion/

Compare with Assassin’s Creed Odyssey launch trailer, by Playstation, released 26 Sept 2018 –

Projects Update 1 (Mar 2023)

Tracy Harwood Blog March 20, 2023 Leave a reply

This month, we have two weeks of projects to share with you. This week, we focus on the Unreal film projects we found. The breadth of work folks are creating with this toolset is astounding – all these films highlight a range of talent, development of workflows and the accessibility of the tools being used. The films also demonstrate what great creative storytelling talent there is among the indie creator communities across the world. Exciting times!

NOPE by Red Render

Alessio Marciello’s (aka Red Render) film NOPE uses UE5, Blender and iClone 8 to create a Jordan Peel inspired film, released on 11 December 2022. The pace and soundscape are impressive, the lucid dream of a bored schoolboy is an interesting creative choice, and we love the hint of Enterprise at the end! Check it out here –

The Perilous Wager by Ethan Nester

Ethan Nester’s The Perilous Wager, released 28 November 2022, uses UE’s Metahumans in our next short project pick. This is reminiscent of film noir and crime drama, mixed with a twist of lime. Its a well managed story with some hidden depths, only really evidenced in the buzzing of flies. It ends a little abruptly but, as its creator says, its about ideas for larger projects. It demonstrates great voice acting and we also love that Ethan voiced all the characters himself, he said using Altered.AI to create vocal deepfakes. He highlights how going through the voice acting process helped him improve his acting skills too – impressive work! We look forward to seeing how these ideas develop in due course. Here’s the link –

Gloom by Bloom

Another dark and moody project (its also our feature image for this post), Gloom was created for the Australia and New Zealand short film challenge 2022, supported by Screen NSW and Epic. The film is by Bloom, released 17 December 2022, and was created in eight weeks. The sci-fi concept is great, voice acting impressive and the story is well told with some fab jumpscares in it too. The sound design is worth taking note of but we recommend you wear a headset to get the full sense of the expansive soundscape the team have devised. Overall, a great project and we look forward to seeing more work from Bloom too –

Adarnia by Adarnia Studio

Our next project is one that turns UE characters into ancient ones – a slightly longer format project, this has elements of Star Wars, Blade Runner and just a touch of Jason and the Argonauts mixed together with an expansive cityscape to boot. Adarnia is a sci-fi fantasy created by Clemhyn Escosora and released 19 March 2021. There’s an impressive vehicle chase which perhaps goes on just a little too long, but there’s an interesting use of assets that are replicated in different ways across the various scenes that is brought together nicely towards the end of the film. The birdsong is a little distracting in places, one of those ‘nuisance scores’ we highlighted in last week’s blog post (Tech Update 2). There’s clearly a lot of work that’s gone into this, and pehaps there’s scope for a game to be made with the expansiveness demonstrated in the project, but the film’s story needs to be just a little tighter. We guess the creators agree because their YouTube channel is full of excerpts focussing on key components of this work. Check out the film here –

Superman Awakens by Antonis Fylladitis

Our final project for this week is a Superman tale, created by VFX company called Floating House. The film, released on 13 February 2023, is inspired by Kingdom Come Superman and Alex Ross and is a very interesting mix of comic styling and narrative film, with great voice acting from Daniel Zbel. Its another great illustration of the quality of the UE assets for talented storytellers –

Next week, we take a look at films made with other engines.